"This is a story of getting addicted to one thing, overdoing it, and then it stops having an effect on you and you go on to something else," he laughs beneath eyes rimmed with years of sleeplessness from juggling a university teaching job. Consequently, his second wave of signings, with Zomby, Ikonika and others, lit up dancefloors with bright, videogame tones. "I was oversaturated with bass – I'd be going to DMZ and FWD», and the bass is so overwhelming, in a good way, but sometimes it can drown out colour in music," says Goodman. "All his music is hyper-emotional and melancholy – it's pure trough," enthuses Goodman.īurial's success provided a war chest for signing new acts. It might have just been a vanity label were it not for early signing Burial, whose tracks – flickering psychogeographic vignettes that reflect on garage, rave and public transport – struck a chord. It's celebrating 10 years in the game this year with four new compilation albums and continues to show that dance music can be both dizzyingly fun and head-scratchingly odd.įounder Steve Goodman grew Hyperdub out of a webzine charting the Jamaican influence on dance music in London, releasing his own music as Kode9 in 2004. But Hyperdub, a label that initially helped give the style its blacklit hue, is thriving. Reading this on mobile? Click here to viewĭubstep, which once reimagined dance music as aggressive pure syncopation, has waned to a blanched, wobbling soundtrack for action movie trailers.
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